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Collection: Electronic Literature: Individual Works
Organization: Electronic Literature Organization
Description: Readers of print conventionally ignore the page surface so as to concentrate on interpreting what is printed there; in "open.ended," by contrast, surfaces are integral. Readers interact with lines of poetry that appearon two translucent shapes - one nested within the other. Because words on the inner shape are visible through the outer one, the printed lines can be read together or separately. The number of possible surface/text combinations is limited, but by merging shapes a surprising range of new stanzas can result. The reader can also control her angle of view so that more than one surface is visible, though all the words may not be legible. As the surfaces obscure the words, the materiality of the digital shapes overcomes linguistic signification. This phenomenon of surface overcoming text also occurs when the shapes overlap and obscure portions of the text. "open.ended" amounts to a poem without beginning or end since one does not move through the text in any predetermined order, yet the poetic object has boundaries delimited by the eight rotating surfaces. The reader's interaction with the shifting text is augmented--and usefully constrained--by an audio track of the author reading so that we, reading to ourselves, are reminded of lines from the poem we have already encountered, or we are given a preview of text to come. Despite the literal instability of the moving text, the audio track is the same each time, which lends consistency to repeated readings. Entry drafted by: Ben Underwood
Captured 15 times between Apr 27, 2009 and Aug 22, 2012
Subject: poetry, flash, audio, interactive, 3D, spatialization
Creator: Aya Karpinska, Daniel C. Howe
Collector: ELO
Collection: Electronic Literature: Individual Works
Organization: Electronic Literature Organization
Description: Mary Flanagan's "[theHouse]" is a digital poem-environment that consists of strings of transparent, three-dimensional, occasionally intersecting, shifting boxes that are accompanied by paired lines, which in turn are re-combined as the piece progresses; we may watch them as they move across the screen, grow larger or smaller or rotate so that we read them in reverse—as if we could walk to the back of our language. Or, should we want to determine the shape and direction of the text/boxes, we can try to interact with the text/boxes through the mouse. Since Flanagan writes that "[a]s in much of electronic literature, the experience of the work as an intimate, interactive, screen-based piece is essential to understanding and appreciating it," the experience of interacting with this text-environment is primarily one of struggle or difficulty since there is no way to gain control over the text--no way to determine the direction in which the piece shifts. Pulling right on the mouse does not guarantee that the text will also shift right or rotate clockwise; moving the mouse up does not necessarily allow us to venture deep inside the boxes or the text—we may have just flipped the boxes/text or moved to a bird's eye view of this strange computer-text-organism. Thus, despite my interactions with the text, despite the fact that I can "read" most of the lines, in its difficulty "[theHouse]" is at least in part about the mediating effects of an interface that, despite Flanagan's claim above, offers intimacy while also declining it. Entry drafted by: Lori Emerson
Captured 12 times between Apr 27, 2009 and Nov 22, 2010
Subject: Animation/Kinetic, individual work, 3D, interactive poetry, interactive art
Creator: Mary Flanagan
Collector: Electronic Literature Organization
Collection: Electronic Literature: Individual Works
Organization: Electronic Literature Organization
Description: "Zaira, City of Memories", by Gökçen Ergüven, is a Flash-based hypertext loosely inspired by Italo Calvino’s "Invisible Cities". The piece combines interactive visual imagery derived from photographs of the urban settings to which the piece refers with brief descriptive passages, aphoristic statements, and poetic musings. The overall structure is organized around a map-like navigation tool which allows readers to follow the text along forking paths, reminiscent of the subway interface of Geoff Ryman’s "253". Unlike Ryman’s hypertext novel, Ergüven’s work follows a single narrative perspective, but does so across the space of three different cities and temporal frames: Ankara (the capital of Turkey, where, according to the author’s abstract, Ergüven was born), Istanbul (where the author lives), and London (where the author would like to live). Zaira is the imaginary city where the past of memory, the present of being, and the desire for the future coexist. Entry drafted by: Davin Heckman
Captured 5 times between May 28, 2010 and May 28, 2012
Videos: 6 Videos Captured
Subject: antecedent, calvino, hyperbook, hypertext novel, invisible cities
Creator: Gökçen Ergüven
Collection: Electronic Literature: Collections of Works
Organization: Electronic Literature Organization
Description: Flash poems with sound track and cinematic elements, presented as simple black text on white background flashing by in a rhythm syncopated to music, typically jazz. Entry drafted by: Patricia Tomaszek
Captured 19 times between May 02, 2008 and Nov 10, 2012
Subject: flash, sound art, time-based, critical/philosophical, electronic music, Collaboration, net art, Multilingual or Non-English, poetry, parody/satire
Publisher: YOUNG-HAE CHANG HEAVY INDUSTRIES
Language: English, Korean, German, Chinese, Spanish, Portugu
Collector: ELO
Collection: Electronic Literature: Context
Organization: Electronic Literature Organization
Description: Writing Technologies was launched in 2007 and is devoted to the research on the relationship between technology and textuality. The peer-reviewed journal publishes twice a year: one themed and one open issue. It offers a forum for paper submissions that examine the textual opportunities and transformations of the literary that technology enables. Emerging digital textualities will be discussed as well as new technologies of textual reproduction that restructure literary history, which transform interpretation and even transfigure the literary object itself. Also, essays on literary texts that engage thematically with technology are welcomed. ISSN: 1754-9035. Entry drafted by: Patricia Tomaszek
Captured 8 times between May 08, 2009 and Nov 08, 2012
Creator: Daniel Cordle, Philip Leonard
Collection: Electronic Literature: Collections of Works
Organization: Electronic Literature Organization
Description: A collection of electronic literature from 1998 to 2004 which contains, as well, guides, syllabi, downloadable software, and commentary on electronic literature. Entry drafted by: Patricia Tomaszek
Captured 21 times between Nov 04, 2007 and Nov 10, 2012
Videos: 1 Videos Captured
Subject: hypertext, electronic literature, fiction, commentary, syllabi, collection, digital poetics, poetry
Creator: Robert Kendall
Collector: ELO
Collection: United Church of Canada sites
Organization: United Church of Canada Archives
Description: The home of open-minded discussion and exploration of spiritual topics, moral issues and life's big questions, brought to you by the people of The United Church of Canada
Captured 2 times between Sep 28, 2012 and Dec 28, 2012
Videos: 302 Videos Captured
Collection: Electronic Literature: Individual Works
Organization: Electronic Literature Organization
Description: John Cayley’s “windsound” is an algorithmic work presented as a 23-minute recording of a machine-generated reading of scrambled texts. The cinematic work presents a quicktime-video of white letters on a black screen, a text written by Cayley with a translation of the chinese poem “Cadence: Like a Dream” by Qin Guan (1049-1100). As a sensory letter-by-letter performance, the work sequentially replaces letters on the screen, so that what starts as illegible text becomes readable as a narrative, and then again loses meaning in a jumble of letters. Cayley calls this technique “transliteral morphing: textual morphing based on letter replacements through a sequence of nodal texts.” Sequences of text appear within up to 15 lines on the same screen, thus presenting and automatically replacing a longer text on a digitally simulated single page-a concept Judd Morrissey also applied in "The Jew´s Daughter". Unlike Morrissey’s piece, Cayley’s doesn´t allow the user to interact with the work that appears as a text-movie with ambient sound, murmurs of voices, windsound and synthetic female and male voices reading the non-readable to the viewer. With the letters, narrative perspectives also morph and switch fluidly between the lyrical-I, Christopher, Tanaka or Xiao Zhang, who appear in the story. Thus, the sentence: "‘We know,’" Tanaka had said in English/"‘Tomorrow if we meet/I will have to kill you myself/’" is, in the algorithmic process of the work, later spelled out by the I-narrator. As stated at the very end of the work, John Cayley created “windsound” in memory to Christopher Bledowski. What remains after a blackened screen and a start-over of morphing letters before they vanish conclusively, is windsound. At a certain point in the movie the text says "you have to be/to stay/silent/to hear it" and it seems like the reader has to be silent, too, listening to what he cannot understand, patiently waiting for the moment of legibility. Entry drafted by: Patricia Tomaszek
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Subject: poetry, appropriated texts, ambient, non-interactive, synthetic voices, algorithmic, soundscape, transliteral morphing
Creator: John Cayley
Collection: Electronic Literature: Individual Works
Organization: Electronic Literature Organization
Description: A Shockwave work by Stephanie Strickland and Cynthia Lawson. This work was made as the third component of an intermedia poem whose two other parts were bound together, upside down to each other, in a volume written by Strickland and published by Penguin, V: WaveSon.nets/Losing L'una, 1992. At the center of the book are pointers to the url. The digital poem was published in the Iowa Review Web, 2002, with critical material by Jaishree Odin, and with an essay by the authors in New River, 2003.
Captured 21 times between Aug 06, 2007 and Aug 22, 2012
Subject: visual poetry, interactive, collaborative, textual instrument, women authors, shockwave, poetry, kinetic text
Collection: Electronic Literature: Individual Works
Organization: Electronic Literature Organization
Description: "Voyage into the Unknown" by Roderick Coover is an historical non-fiction hypertext about the first geographic expedition down the Colorado River in 1869. The three-month journey was led by John Wesley Powell who, with his eight fellow boatmen, departed from Green River City in northern Utah towards the Gulf of California. Coover investigates in the question of how we come to know and imagine an "unknown territory" and provides the answer with the navigational technique he applies in his work: an interactive panoramic environment with a digitally re-worked map of the journey, in which the user navigates though the desert landscape using a seamless, horizontally scrolling interface. The reader, who takes the perspective of crew member George Bradley, faces an unknown literary space he can choose to explore in several different ways. He can either use red arrows to move back and forth within the landscape or use the "key" numbered from one to twenty that recalls a chapter-like navigation. In order to "read the unknown territory", the user is forced to explore the map that is marked with points of interest. These markers (abbreviations that are explained in an introductory agenda at the beginning of the piece) work like hyperlinks that, once activated, name places passed, people the group met or events they experienced. A diary-like narrative unfolds in short excerpts of texts that reveal what happend when the crew was declared dead and how they managed to survive in "the darkest hour" when subsistences decreased each day. The narrative is contested with researched facts that interwine with actual diary accounts and works by John Wesley Powell, along with additional publications by other crew members (George Bradley, John Sumner, and Frederick Dellenbaugh). Coover also integrates primary visual works by E.O. Beaman, John Hillers, and Thomas Moran with new and original writing, artwork, and interactive devices. Entry drafted by: Patricia Tomaszek
Captured 4 times between Jul 27, 2009 and May 28, 2010
Subject: hypertext, Flash, nonfiction, historical
Creator: Roderick Coover
Collector: ELO
Collection: United Church Initiatives
Organization: United Church of Canada Archives
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Creator: The United Church of Canada
Language: English
Collection: Electronic Literature: Individual Works
Organization: Electronic Literature Organization
Description: Uncle Roger by Judy Malloy first appeared from 1986-1987, placing it among the first generation of hypertexts produced on disks - contemporaneous with the earliest versions of Michael Joyce’s "afternoon: a story." The current (2003) revised web-version attempts to keep the original hypertext layout, design, and interaction. The work consists of a series of text nodes, connected via hyperlinks on words and icons. The node texts form a longer narrative in three parts: “A Party in Woodside,” “The Blue Notebook,” “Terminals.” The three sections, or "files" as the author calls them, intertwine personal recollections with descriptions of a pre-Internet, pre-PC age in California. The narrator, Jenny, serves as a focal point. The title figure “Uncle Roger” is Jenny’s uncle, an eccentric semiconductor market analyst, and the Silicon Valley culture and chip industry form the narrative backdrop. The stories bring together pieces of conversation at a California party with Jenny’s memories. In classic hyperfiction fashion, the reader chooses a path through the nodes by clicking on linked words or images. For instance, the section called “Terminals” features a keyboard-like set of icons that function as a navigational tool for accessing the separate story sections. Entry drafted by: Maria Engberg
Captured 8 times between Nov 22, 2010 and Aug 22, 2012
Creator: Judy Malloy
Collection: SCI Social Media
Organization: Seamen's Church Institute
Captured 2 times between May 21, 2012 and Dec 03, 2012
Collection: Electronic Literature: Collections of Works
Organization: Electronic Literature Organization
Description: Turbulence, a project of New Radio and Performing Arts, Inc. has commissioned 140 networked art works and hosted more than 20 distributed, real-time, multilocation performance events since 1996. An archive of these projects, including many with a strong literary focus, is maintained on the site. Entry drafted by: Patricia Tomaszek
Captured 34 times between Sep 11, 2007 and Nov 10, 2012
Videos: 5925 Videos Captured
Subject: institutions, organization, net art, interviews, network forms
Collection: Trinity Wall Street Church Website
Organization: Trinity Church Wall Street
Description: Easter Season Bulletins 2013
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Collection: Electronic Literature: Individual Works
Organization: Electronic Literature Organization
Description: These Waves of Girls is a hypermedia novella exploring memory, girlhoods, cruelty, childhood play, and lesbian sexuality. The piece is composed as a series of small stories, artifacts, interconnections, and meditations from the point of view of a girl (or girls) at various ages from four to twenty. Fisher's work is distinct for its hypermedia features: each text passage is illustrated by new images and therefore presents a new interface for each chunk of text, some passages are read by the author. On the level of content, the story's characters try to find and come to terms with their sexuality. Figuratively, this construction of self is mirrored in the hypertextual structure Fisher makes use of: The reader witnesses the characters' identity construction by following one link after the other, coming closer to what identity means to the stories' characters': "We've all been fifteen. I look very much the same, only at fifteen I'm a little larger, a little stronger. I'll believe anything. I tell people I believe nothing." Entry drafted by: Patricia Tomaszek
Captured 21 times between Nov 04, 2007 and Aug 22, 2012
Subject: hypertext, flash, women authors, audio, fiction, dhtml, html, sexuality, memoir
Collection: Electronic Literature: Individual Works
Organization: Electronic Literature Organization
Description: The Unknown is a collaborative hypertext novel written on the World Wide Web during the turn of the millennium. It is a text about a book tour that takes on the excesses of a rock tour. The work is notorious for breaking the "comedy barrier" in electronic literature, replacing the pretentious modernism and self-consciousness of previous hypertext works with a pretentious postmodernism and self-absorption that is more satirical in nature. The Unknown includes several sections or "lines" of content including a sickeningly decadent hypertext novel, metafictional bullshit, documentary material, correspondence, art projects, documentation of live readings, a press kit, and more. Entry drafted by: Patricia Tomaszek
Captured 28 times between Aug 06, 2007 and Aug 22, 2012
Subject: hypertext, network novel, encyclopedic, metafiction, comedy, collaborative, postmodern, fiction, parody/satire, html/dhtml, network forms
Creator: William Gillespie, Frank Marquardt, Scott Rettberg, Dirk Stratton
Collector: ELO
Collection: United Church of Canada sites
Organization: United Church of Canada Archives
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Videos: 350 Videos Captured
Collection: United Church of Canada sites
Organization: United Church of Canada Archives
Description: The official website for The United Church of Canada
Captured 7 times between Jul 09, 2012 and Jan 09, 2013
Videos: 137 Videos Captured
Creator: The United Church of Canada
Publisher: The United Church of Canada
Rights: Creative Commons BY-NC-ND
Collection: RAC
Organization: Rockefeller Archive Center
Description: Internet homepage for the Rockefeller Archive Center
Captured 6 times between Aug 17, 2012 and Dec 17, 2012
Subject: Archives, Rockefeller family
Group: Rock Arch Home
Creator: The Rockefeller Archive Center
Language: eng
Format: Text/HTML, Photographs
Type: Web sites
Date: 2013-01-08
Identifier: http://www.rockarch.org
Collector: Rockefeller Archive Center
Rights: Copyright © The Rockefeller Archive Center. All rights reserved.
Collection: Electronic Literature: Individual Works
Organization: Electronic Literature Organization
Description: Prose poem published in The Iowa Review Web (TIR-W), Volume 9, Number 2: "Instruments and Playable Texts" (2008). “The Purpling” is comprised of approximately ten basic web pages of eight to ten lines each. By clicking on hyperlinks connected to segments of varying lengths, the reader enters what guest editor Stuart Moulthrop calls a "maze of recirculating expression.” While the words on the screen remain static, the reader's experience of "meaning" varies depending on the order of visited links. These visited links, in most browsers, also appear in purple, which becomes a visual representation of not only the work's title, but also the mingling of the reader with the text. Consequently, in both form and content, the work calls attention to nature of reading and questions the authority of a text. Entry drafted by: Crystal Alberts
Captured 15 times between Apr 27, 2009 and Aug 22, 2012
Subject: hypertext, poetry, procedural, constraint-based
Creator: Nick Monfort
Collector: Electronic Literature Organization
Collection: Electronic Literature: Collections of Works
Organization: Electronic Literature Organization
Description: As part of the online journal Riding the Meridian, The Progressive Dinner Party invites the reader to explore thirty-nine online works by women as part of a culinary reading journey through eight different countries and four continents: Cocktails from Australia, Hors d’oeuvres from Europe, Salad from Canada, Fish from the Coasts, Entrée from the US Heartland, Dessert from the Tropics and Brandy and Coffee from New York. The website offers these tempting culinary trajectories for a transnational hypertextual and hypermedial reading experience (playing on the double-meaning of ‘menu’), as well as takes the reader through a hypertextual world map and to a virtual table, which all become an indexical transit zone for a computer-based reading journey from one electronic region of the world to another. A commentary on the collection is provided by N. Katherine Hayles and Talan Memmott. Entry drafted by: Martina Pfeiler
Captured 12 times between Oct 09, 2009 and Aug 10, 2012
Videos: 51 Videos Captured
Publisher: Carolyn Guertin and Marjorie Coverley Luesebrink
Collector: ELO
Collection: Presbyterian Church (U.S.A.) Synods
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Synod of Living Waters
Creator: Presbyterian Church (U.S.A.). Synod of Living Waters
Collector: Presbyterian Historical Society
Relation: Presbyterian Church (U.S.A.). Synod of Living Waters
Rights: Rights assessment is your responsibility.
Collection: International Whistleblower Archive
Organization: International Whistleblower Archive
Captured 19 times between Jul 16, 2011 and Jan 16, 2013
Type: Blog
Collection: Electronic Literature: Individual Works
Organization: Electronic Literature Organization
Description: This Flash-based creation encompasses a series of 3 prose poems that gradually dissolve (in animated sequences) to reveal poems "hidden" within them. Each of three initial block texts can be read sequentially; however, the essence of this piece is the way letters fly from those initial texts to reveal the hidden poems. Each of these three initial texts have two poems "embedded" in them. At first, the remaining letters remain in place, like the buildings that survived the earthquake. On subsequent pages, these characters close ranks to form the words of the embedded poems. Additionally, each surviving letter casts off versions of itself which fall down the surface of the poem, colliding with other cast-off versions and forming alternate unused words which stack up in a heap below the poem. Thematically, the pieces bring together the "famous occult associations of the European mandrake" with the American one (mayapple). The poems play with the rhizomatic nature of roots and rhizomes of literary allusions. Readers cannot uproot these mandrakes without being caught in the underground tangle of sex, death, and renewal. Entry drafted by: Mark C. Marino
Captured 13 times between Oct 27, 2009 and Aug 22, 2012
Creator: Oni Buchnan
Collector: ELO
Collection: Electronic Literature: Individual Works
Organization: Electronic Literature Organization
Description: Judd Morrissey, Goat Island, and 145+ additional contributors are contributing to the work-in-progress The Last Performance (dot org). The project’s developers describe it as “a constraint-based collaborative writing, archiving and text-visualization project responding to the theme of lastness in relation to architectural forms, acts of building, a final performance, and the interruption (that becomes the promise) of community.” The project is a kind of hopeful monster, a mutated form of literature that combines elements of dance and performance, information and physical architecture, and Oulipian constraint-driven approaches to writing. The visual presentation of the project is based on the structure and details of the Dzamija, a mosque built on top of an old church in Zagreb, Croatia. Elements of the structure were derived from a dance performance by Goat Island, a Chicago-based performance collective. The organizational principles of the text are largely algorithmic. The individual texts themselves are written in response to a series of odd, seemingly arbitrary constraints such as “Construct a last performance in the form of a heavy foot that weighs 2 tons and remains in good condition.” The texts that form the material basis of the project are contributed both by the authors who have been working most closely on the project for two years and by readers who stumble across it on the Web and decide to contribute a text by responding to a constraint or to one of the other texts.(...) Read the entire elit work article drafted by Scott Rettberg at: http://directory.eliterature.org/node/606
Captured 8 times between Nov 22, 2010 and Aug 22, 2012
Subject: hypertext, poetry, collaborative, narrative, database, visualization
Creator: Judd Morrissey
Collection: Electronic Literature: Individual Works
Organization: Electronic Literature Organization
Description: Upon launching Erik Loyer's The Lair of the Marrow Monkey (1998), a web-based work of digital fiction powered by Shockwave software animation, readers not only see the opening navigation screen, but must feel their way around it. Nine circles orbit, carrousel-like, around a tower constructed with two triangles, one inverted and resting on top of the other. The sound of an eerie synthesized pulsing accompanies each rotation, which speeds up the farther away the reader moves the mouse. A tiny number appears at the foot of each, counting - up or down depending on which way the shapes orbit - from one to nine. (...) Read the entire elit work article Dave Ciccoricco at http://directory.eliterature.org/node/618
Captured 8 times between Nov 22, 2010 and Aug 22, 2012
Subject: poetry, audio, music, narrative, cognition, consciousness, digital fiction, interactive motion graphics, interior monologue, jazz, letters, memory, mind, poem, posthuman, spoken word
Creator: Erik Loyer
Collection: Electronic Literature: Individual Works
Organization: Electronic Literature Organization
Description: "The Jew's Daughter" is an interactive, non-linear, multivalent narrative. A hypertext, but one that transforms the text (rather than just linking from one stable text to another). As soon as the reader moves the mouse over highlighted keywords (links), segments of a page replace one another fluidly. While always remaining syntactically and semantically intact, passages are replaced by a new text within a static rectangular text-space. The work's content corresponds to the unstable form: Characters, for example, are not fixed identities; they can be, by turns, contemporary and historical. The algorithmic text generation calls on readers to explore a text that changes with the addition or deletion of passages at random throughout the narrative. By placing authors and readers in direct relation to machine-generated text, this piece has helped ground debates on electronic literature. Entry drafted by: Patricia Tomaszek
Captured 17 times between Oct 29, 2008 and Aug 22, 2012
Subject: hypertext, collaboration, interactive, generative text, html/dhtml
Collection: Electronic Literature: Collections of Works
Organization: Electronic Literature Organization
Description: The Iowa Review Web’s issue on “Instruments and Playable Text” (published in July 2008, guest edited by Stuart Moulthroup) features seven poetic and narrative works by six authors concerned with writing at the level of interface and code. The featured works (by Judy Malloy, John Cayley, Nick Montfort, Shawn Rider, Elizabeth Knipe, and the editor himself) all explore operations of permutation, chance, and remixing prompted by the reader’s actions. These programmed digital works invite readers to engage in the (literary) play indeed, reading and play in these texts are inseparable. Readerly actions include clicking on images and texts in Malloy’s Concerto for Narrative Data to invoke voices and texts to appear in various formations and juxtapositions. In Nick Montfort’s The Purpling, color-coding and clickable text chunks cause the poem to gradually change into different texts. John Cayley’s riverIsland employs navigation via images, via clickable icons, or by dragging QuickTime images, to access 32 poems reflecting on nature, translation, and language. Both Elizabeth Knipe’s activeReader and Shawn Rider’s two works, So Random and PiTP, invite the reader to enter texts of their own. Finally, Moulthrop’s polyphonic Under Language mixes written text with spoken words and sounds as the reader clicks on the interface’s icons and texts. In this work, as in Cayley's riverIsland, sounds and spoken words also engage the reader as a listener. Different kinds of play, interaction, and participation are juxtaposed with the more standard ways of intellectually engaging with a literary work. Along with the works, The Iowa Review Web issue includes an editor’s introduction and statements by many of the featured artists/authors. Entry drafted by: Maria Engberg
Captured 16 times between Dec 06, 2008 and Aug 10, 2012
Videos: 20 Videos Captured
Subject: Quick Time, poetry, combinatorial, textual instrument, fiction, Critical/philosophical, women authors, html/dhtml, procedural, java, constraint-based, action script
Publisher: Stuart Moulthrop, Jon Winet, Mark NeuCollins
Collector: ELO
Collection: Electronic Literature: Collections of Works
Organization: Electronic Literature Organization
Description: The journal Iowa Review Web started to publish electronic writing in 1999. It includes - along with electronic literature - other varieties of experimental writing and art, author interviews, critical articles, and essays. ISSN number: 1541-972X. Entry drafted by: Patricia Tomaszek
Captured 35 times between Aug 12, 2007 and Nov 10, 2012
Subject: theory, hypertext, criticism, essays, fiction, literary journal, interviews, reviews, poetry, art
Collection: Electronic Literature: Individual Works
Organization: Electronic Literature Organization
Description: Zoe Beloff’s "Influencing Machine of Miss Natalija A." is flash adaptation of a multimedia installation of the same name created by Beloff in 2001. This web-enabled version combines video, text, audio, and animation to tell the story of Natalija A., a psychiatric patient who was unable to communicate except through writing. Natalija believed that she was being controlled remotely by an “influencing machine,” a mechanical model of her body created by a doctor in Berlin which could be manipulated to control her telepathically. Based on an actual 1919 account of Viennese psychoanalyst Victor Trausk, Beloff’s work contains passages from Trausk’s notebooks, simulated effects of the “diabolical machine,” surrealist footage of medical procedures, and video clips of the actual broadcast technologies that emerged during the early twentieth century to influence populations worldwide. Beloff’s piece is notable for its interface, which presents itself as a “book,” with weathered, yellow pages complete with faint traces of text bleeding through from their opposite sides. Embedded black and white videos enhance the uncanny feel of the piece, giving the “book’s” diagrams a haunting, hallucinatory mood. The audio of the piece combines soundtracks with the video clips with white noise and whispered recitations, suggesting that the mute Natalija is speaking through the book through supernatural means. The result is an atmosphere that seems faded and esoteric, preserving the enigmatic character of Natalija’s unresolved affliction, her allegation that Trausk himself was under the machine’s evil influence, and his suicide the following year. Taken as a whole, the piece might best be understood as a contemporary manifestation of the literary gothic, where facts and speculations anxiously intersect, and conspiratorial notions flourish. Entry drafted by: Davin Heckman
Captured on May 28, 2010
Subject: video, creative non-fiction, gothic, installation
Creator: Zoe Beloff
Collection: Electronic Literature: Collections of Works
Organization: Electronic Literature Organization
Description: The Electronic Literature Collection is a periodical publication of current and older electronic literature in a form suitable for individual, public library, and classroom use. Published by the Electronic Literature Organization. The publication is available both online at the ELO site and as a packaged, cross-platform CD-ROM. The collection includes author, title, and keyword indexes. Entry drafted by: Patricia Tomaszek
Captured 9 times between Jul 13, 2007 and Apr 09, 2009
Subject: Journal, ELO, Collection of Work
Creator: The Electronic Literature Organization
Publisher: N. Katherine Hayles, Nick Montfort, Scott Rettberg, Stephanie Strickland
Language: English, French
Collector: ELO
Collection: Electronic Literature: Individual Works
Organization: Electronic Literature Organization
Description: A poet's playful meditation on the nature and function of letterforms in kinetic two-dimensional space. Dreamlife is a Flash animation, based on a text by the feminist literary theorist Rachel Blau DuPlessis, which explores the ground between classic concrete poetry, avant-garde, feminist practice, and "ambient" poetics. Stefans responded DuPlessis by using words of her text: "all I did was alphabetize the words in it and then construct shorter poems from them." The short film runs about 11 minutes and shows letters that perform their "dreams" on the screen. Entry drafted by: Patricia Tomaszek
Captured 20 times between Feb 02, 2008 and Aug 22, 2012
Subject: flash, Animation/Kinetic, visual poetry, appropriated texts, ambient, non-interactive
Creator: Brian Kim Stefans
Language: Engish
Collection: Electronic Literature: Individual Works
Organization: Electronic Literature Organization
Description: The Doll Games is a hypertext project that documents a complex narrative game that Shelley and Pamela Jackson used to play when they were prepubescent girls, and frames that documentation in faux-academic discourse. In “sitting uneasily between” different styles of discourse, the work enlists the reader to differentiate between authoritative knowledge and play. Although the dolls in question are “things of childhood,” the project reveals that in the games the authors used to play with these dolls, one can find the roots of both Pamela and Shelley’s “grownup” lives: Shelley’s vocation as a fiction writer, and Pamela’s as a Berkeley-trained Ph.D. in Rhetoric. Throughout, the project plays with constructions of gender and of identity. This is a “true” story that places truth of all kinds in between those ironic question marks. The Doll Games is a network novel in the sense that it uses the network to construct narratives in a particularly novel way. The Doll Games is also consciously structured as a network document, and plays in an ironic fashion with its network context. (...) Read the entire elit work article drafted by Scott Rettberg at: http://directory.eliterature.org/node/609
Captured 8 times between Nov 22, 2010 and Aug 22, 2012
Subject: hypertext, parody/satire, documentary, gender
Creator: Pamela Jackson, Shelley Jackson
Collection: Chemical Heritage Foundation: July 2010 and prior
Organization: Chemical Heritage Foundation
Description: A project ten years in the making, the museum at the Chemical Heritage Foundation (CHF) began as an idea to display CHF’s growing instrumentation collection. The vision has evolved into creating a museum that is the place to learn about the history of the chemical and molecular sciences. From 2005 to 2008, the curatorial team, along with designers, architects, and content experts, has been working to develop and refine the content, artifacts, and layout of the permanent exhibition in the museum, Making Modernity. We hope that you will visit our Web site and blog frequently to watch and comment as we “race” toward opening day and turn a decade-long dream into reality.
Captured on Nov 23, 2010
Collection: Chemical Heritage Foundation: July 2010 and prior
Organization: Chemical Heritage Foundation
Description: The Center is the blog of the Center for Contemporary History and Policy (CCHP). As part of the Chemical Heritage Foundation, the Center offers historically grounded perspectives on issues related to the molecular sciences and technologies. The Center’s programmatic initiatives draw on diverse historical and contemporary source materials to provide knowledge, perspective, and advice to stakeholders from industry, academia, government, and citizen groups.
Captured on Nov 23, 2010
Collection: Electronic Literature: Individual Works
Organization: Electronic Literature Organization
Description: The “Ballad of Sand and Harry Soot” is a poem written by Stephanie Strickland as a score for a hypertext implementation, coded by Janet Holmes. Its images are suggestive of digital or mathematical culture, including Webcam photos, a core dump, an animated fractal, and algorithmic patterns inscribed in sand by a computer-driven steel ball. The latter images are from Jean-Pierre Hébert’s and Bruce Shapiro’s work, "Sisyphus" (1999). These images accompany the text of a love poem, a ballad of love gone wrong, or at least not entirely right, between Sand and Soot. At one level, the disjunction of image and text mirrors the difficulties of this pair. However, this discordance will spring into resonant oscillation for readers who either see or read an avatar of carbon-based chemistry in Harry Soot and silicon life in Sand. Entry drafted by: Patricia Tomaszek
Captured 20 times between Aug 06, 2007 and Aug 22, 2012
Subject: hypertext, visual poetry, interactive, html, women authors, poetry
Creator: Stephanie Strickland, Janet Holmes
Publisher: Stephanie Strickland, Janet Holmes
Collector: ELO
Collection: StationList-EoY07
Organization: WNET
Captured 20 times between Feb 16, 2008 and Nov 05, 2009
Collector: WNET
Collection: StationList-EoY07
Organization: WNET
Captured 23 times between Jan 16, 2008 and Nov 05, 2009
Collector: WNET
Collection: Electronic Literature: Individual Works
Organization: Electronic Literature Organization
Description: In the Web's first hypertext novel Bobby Rabyd [Robert Arellano] explores the pop-cultural shadow-side of 1969 -- from the moon landing to the Manson murders, from a Vietnam veteran's PTSD to a rock star's idolatry, from the love-in at Woodstock to the murder at Altamont -- by relating intermixed stories and emphazising graphics and music. Entry drafted by: Patricia Tomaszek
Captured 20 times between Nov 04, 2007 and Aug 22, 2012
Subject: hypertext, graphic, audio, fiction, html, historical, novel
Publisher: Robert Arellano
Collector: ELO
Collection: Electronic Literature: Individual Works
Organization: Electronic Literature Organization
Description: Shawn Rider's "So Random" consists of a short hypertext narrative of a bus ride told from several different points of view. Each time a reader accesses the work, an instantiation of it is assembled from chunks of text based on tags assigned to each section. For a piece of electronic literature, the work has a conservative visual presentation. Each version consists of three pages that resemble the appearance of text in a word processing program. The reader has the option of reading the pages consecutively or of clicking on words to generate an entirely new three-page version of the work. With relatively few options, the reader is at the mercy of the algorithm assembling the text, and without access to the logic of the text selection, the work feels "so random." Entry drafted by: Ben Underwood
Captured 14 times between Jul 27, 2009 and Aug 22, 2012
Subject: hypertext, fiction, Anthologies, algorithm
Creator: Shawn Rider
Collector: ELO
Collection: International Whistleblower Archive
Organization: International Whistleblower Archive
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Type: News Article
Collection: Electronic Literature: Individual Works
Organization: Electronic Literature Organization
Description: slippingglimpse is a 10-part generative Flash poem combining videos of ocean patterns with text. The work introduces three modes of reading: fullscreen, high resolution, and scroll-text mode. In the first two modes, fragments of words and phrases appear in the ocean, mapped and remapped to movement in the video image, turning from an unreadable text to a decipherable composition. In fullscreen mode, ocean videos "read" the poem text somatically or gesturally. In high-rez mode, the ocean-patterning itself is best visible, those patterns the videographer set out to capture and enhance. Only the scroll-text mode permits human reading of linear print text. The language of the poem comes in part from sampling and recombining the words of visual artists as they reflect on their own work (among them, Helaman Ferguson, Manfred Mohr, David Berg, Ellen Carey, Frances Dose, Marius Johnston, Jon Lybrook, Susan Rankaitis, Hildegard of Bingen). Entry drafted by: Patricia Tomaszek
Captured 20 times between Aug 06, 2007 and Aug 22, 2012
Videos: 60 Videos Captured
Subject: flash, collaborative, kinetic text, poetry, women authors, visual poetry, video
Collection: Chemical Heritage Foundation: July 2010 and prior
Organization: Chemical Heritage Foundation
Description: Ship of Fellows is the Fellowship Blog at the Chemical Heritage Foundation (CHF), Philadelphia. CHF’s fellows reside at the Beckman Center for the History of Chemistry and the Center for Contemporary History and Policy which comprise the center for scholars within CHF.
Captured on Nov 23, 2010
Collection: Electronic Literature: Individual Works
Organization: Electronic Literature Organization
Description: Shadows Never Sleep is the final story in a series of narratives written by Aya Karpinska, each exploring different aspects of reading using digital media. As with the prior works in the series, Shadows Never Sleep is evocative of children's stories and folk tales. The work is designed to make use of the iPhone as a storytelling platform. Rather than turning pages or selecting paths through the narrative, readers "zoom" into the story revealing new images and text. Shadows Never Sleep is divided into three "pages," each containing more panels than the prior, 1, 8, and 64 respectively. The simple black and white images are interposed with minimal text, evoking the play of light and dark, and the anthropomorphization of shadows that constitute the subject of this work. Entry drafted by: Dave Parry
Captured 13 times between Oct 27, 2009 and Aug 22, 2012
Videos: 12 Videos Captured
Subject: interactive, children`s stories, zoom-narrative, iphone, picture-story, classic folk tale
Creator: Aya Karpińska
Collector: ELO
Collection: Electronic Literature: Individual Works
Organization: Electronic Literature Organization
Description: Jim Andrews’ “Seattle Drift” is a play on motion and stasis, surface and depth. Its initially simple presentation consists of a self-described “bad text,” a subversive poem that moves and stutters around the screen when given the instruction to do so. A series of simple controls written in Dynamic HTML allows a user to guide its movement: one is given the option to “do” the text (which makes it drift around the screen), “stop” it (which freezes the letters mid-drift), or “discipline” it (which returns the letters to their original position). Stopping and starting the text allows the user to create new linguistic and visual configurations for the poem, and this flexibility is the cause of the text’s status as “bad”—it “used to be a poem, but drifted from the scene.” The poem dares its user with a come-on—“I just want you to do me”—that complicates the supposed transparency and stasis of the traditional written word, and makes the user an accomplice in this transformation. The poem itself has the experimental, minimalist quality that characterizes much of mid-90s net art, exploring the role of particular code functions in the construction of Web aesthetics while also playing with the code’s distance from (and closeness to) the surface of the Web browser. An Easter egg awaits those curious enough to explore the source code. Entry drafted by: Rob Schoenbeck
Captured on Mar 05, 2010
Subject: poetry, animation, html/dhtml
Creator: Jim Andrews
Collector: ELO
Collection: SCI Social Media
Organization: Seamen's Church Institute
Captured 5 times between May 21, 2012 and Dec 03, 2012
Collection: Electronic Literature: Individual Works
Organization: Electronic Literature Organization
Description: "Roulette" is a language game for readers, a single work that can be read in roughly 64,000 ways. The lines of the poem shift every time you interact with one of the three lines of the poem. By clicking and holding a block for a few moments, the reader can activate a change in the text. Only one line of the poem changes at a time, so the two stable lines give a context for the altered one, a background against which alternative meanings are generated. Those other lines can then be altered in turn. The work appears clothed in an endless night sky that foregrounds rotating, colorful cubic containers, each one containing smaller rotating cubes. From there, from out of the cubes, the word emerges along with background music that calls to mind a night out at the casino. The poetic content concerns philosophical questions concerning life, relationships, and language, and at times seems to generate a meta-commentary on randomness and the work itself. Entry drafted by: Patricia Tomaszek
Captured 14 times between Jul 27, 2009 and Aug 22, 2012
Creator: Bebe Molina, Daniel Howe
Collector: ELO
Collection: RAC
Organization: Rockefeller Archive Center
Description: The Rockefeller Archive Center's organization page on Facebook.
Captured 4 times between Nov 09, 2012 and Dec 17, 2012
Videos: 89 Videos Captured
Subject: Archives, Rockefeller family
Group: Facebook
Creator: Rockefeller Archive Center
Publisher: Facebook
Language: eng
Format: Text/HTML, Photographs
Type: Web sites
Identifier: https://www.facebook.com/RockefellerArchiveCenter
Collector: Rockefeller Archive Center
Rights: Copyright Facebook 2014
Collection: Electronic Literature: Individual Works
Organization: Electronic Literature Organization
Description: Revelations of Secret Surveillance weaves family history, fictional narrative and documentary material together in the story of German video artist Gunter and American writer Gwen. Spurred on by the discovery of a poem Gunter’s grandmother wrote in Nürnberg in 1933, they begin to explore past and present covert systems of surveillance and social control. Most of the characters in the narrative are recognizable from Malloy’s other work as is the minimalist visual layout of the epic composition, which is divided into preludes, interludes and cantos. The piece is composed as a hypertext in which the individual lexias work as independent entities. They can either be read sequentially by following the progression of the narrative (pressing the blue bar below the text), or the reading can branch out through the links (placed to the left of the interface). In this way an opaque, poetic universe is created, which questions causal relations as well as the probability of chance occurrences. The composition of the piece thus forms its own layer of reflection on the theme of covert surveillance and control. Entry drafted by: Kristin Veel
Captured on Mar 05, 2010
Subject: hypertext, control, epic, surveillance
Creator: Judy Malloy
Collector: ELO
Collection: Electronic Literature: Context
Organization: Electronic Literature Organization
Description: Where texts interrelate with image, sound, and video, readers of electronic literature can witness linguistic transformations, unfamiliar arrangements of signifiers and what is signified. In his practice as a professional artist, teacher, and researcher, Seaman interests himself in image-music-text relations that, to his mind, act to generate meaning as "language-vehicles." "Recombinant Poetics" integrates a number of disciplines into literary, artistic, musical, technological, scientific, and philosophical perspectives. Seaman's semiotic and linguistic approach has numerous points of contact with work in electronic literature, not least his involvement with combinatoric methods and Oulipian writing under constraint. The Page provides academic essays as well as poetic texts. Entry drafted by: Patricia Tomaszek
Captured 8 times between Jul 15, 2009 and Jan 27, 2011
Videos: 5 Videos Captured
Creator: Bill Seaman
Collector: ELO
Collection: RAC
Organization: Rockefeller Archive Center
Description: The Rockefeller Archive Center's twitter account.
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Subject: Archives, Rockefeller family
Group: Twitter
Creator: Rockefeller Archive Center
Publisher: Twitter
Language: eng
Format: Text/HTML, Photographs
Type: Web sites
Date: 2013-06-05
Identifier: https://twitter.com/rockarch_org
Collector: Rockefeller Archive Center
Rights: Copyright Twitter 2014
Collection: International Whistleblower Archive
Organization: International Whistleblower Archive
Captured 20 times between Jul 16, 2011 and Jan 16, 2013
Videos: 8467 Videos Captured
Type: News Site
Collection: Chemical Heritage Foundation: July 2010 and prior
Organization: Chemical Heritage Foundation
Captured on Oct 23, 2010
Group: History and Heritage of Science Information Systems
Publisher: Chemical Heritage Foundation
Date: 1998
Collection: Presbyterian Church (U.S.A.) National Agencies
Organization: Presbyterian Historical Society
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Subject: Presbyterian Mission Agency
Creator: Presbyterian Mission Agency
Collector: Presbyterian Historical Society
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Synods
Organization: Presbyterian Historical Society
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Videos: 2 Videos Captured
Subject: Presbyterian Church (U.S.A.). Synod of the Trinity
Creator: Presbyterian Church (U.S.A.). Synod of the Trinity
Collector: Presbyterian Historical Society
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Synods
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Synod of the Sun
Creator: Presbyterian Church (U.S.A.). Synod of the Sun
Collector: Presbyterian Historical Society
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Synods
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Synod of the Southwest
Creator: Presbyterian Church (U.S.A.). Synod of the Southwest
Collector: Presbyterian Historical Society
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Synods
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Synod of the Rocky Mountains
Creator: Presbyterian Church (U.S.A.). Synod of the Rocky Mountains
Collector: Presbyterian Historical Society
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Synods
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Synod of the Pacific
Creator: Presbyterian Church (U.S.A.). Synod of the Pacific
Collector: Presbyterian Historical Society
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Synods
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Synod of the Northeast
Creator: Presbyterian Church (U.S.A.). Synod of the Northeast
Collector: Presbyterian Historical Society
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Synods
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Synod of the Mid-Atlantic
Creator: Presbyterian Church (U.S.A.). Synod of the Mid-Atlantic
Collector: Presbyterian Historical Society
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Synods
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Synod of the Covenant
Creator: Presbyterian Church (U.S.A.). Synod of the Covenant
Collector: Presbyterian Historical Society
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Synods
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Synod of Southern California and Hawaii
Creator: Presbyterian Church (U.S.A.). Synod of Southern California and Hawaii
Collector: Presbyterian Historical Society
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Synods
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Synod of South Atlantic
Creator: Presbyterian Church (U.S.A.). Synod of South Atlantic
Collector: Presbyterian Historical Society
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Synods
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Synod of Mid-America
Creator: Presbyterian Church (U.S.A.). Synod of Mid-America
Collector: Presbyterian Historical Society
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Synods
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Synod of Living Waters
Creator: Presbyterian Church (U.S.A.). Synod of Living Waters
Collector: Presbyterian Historical Society
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Synods
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Synod of Lincoln Trails
Creator: Presbyterian Church (U.S.A.). Synod of Lincoln Trails
Collector: Presbyterian Historical Society
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Synods
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Synod of Lakes and Prairies
Creator: Presbyterian Church (U.S.A.). Synod of Lakes and Prairies
Collector: Presbyterian Historical Society
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Synods
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Synod of Boriquen
Creator: Presbyterian Church (U.S.A.). Synod of Boriquen
Language: Spanish language
Collector: Presbyterian Historical Society
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Synods
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Synod of Alaska-Northwest
Creator: Presbyterian Church (U.S.A.). Synod of Alaska-Northwest
Collector: Presbyterian Historical Society
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Presbyteries
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Presbytery of the Upper Ohio Valley
Creator: Presbyterian Church (U.S.A.). Presbytery of the Upper Ohio Valley
Collector: Presbyterian Historical Society
Relation: Presbyterian Church (U.S.A.). Synod of the Trinity
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Presbyteries
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Presbytery of the Twin Cities Area
Creator: Presbyterian Church (U.S.A.). Presbytery of the Twin Cities Area
Collector: Presbyterian Historical Society
Relation: Presbyterian Church (U.S.A.). Synod of Lakes and Prairies
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Presbyteries
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Presbytery of the Redwoods
Creator: Presbyterian Church (U.S.A.). Presbytery of the Redwoods
Collector: Presbyterian Historical Society
Relation: Presbyterian Church (U.S.A.). Synod of the Pacific
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Presbyteries
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Presbytery of the Pines
Creator: Presbyterian Church (U.S.A.). Presbytery of the Pines
Collector: Presbyterian Historical Society
Relation: Presbyterian Church (U.S.A.). Synod of the Sun
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Presbyteries
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Presbytery of the Peaks
Creator: Presbyterian Church (U.S.A.). Presbytery of the Peaks
Collector: Presbyterian Historical Society
Relation: Presbyterian Church (U.S.A.). Synod of Mid-Atlantic
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Presbyteries
Organization: Presbyterian Historical Society
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Videos: 34 Videos Captured
Subject: Presbyterian Church (U.S.A.). Presbytery of the Palisades
Creator: Presbyterian Church (U.S.A.). Presbytery of the Palisades
Collector: Presbyterian Historical Society
Relation: Presbyterian Church (U.S.A.). Synod of the Northeast
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Presbyteries
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Presbytery of the Pacific
Creator: Presbyterian Church (U.S.A.). Presbytery of the Pacific
Collector: Presbyterian Historical Society
Relation: Presbyterian Church (U.S.A.). Synod of Southern California and Hawaii
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Presbyteries
Organization: Presbyterian Historical Society
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Videos: 1 Videos Captured
Subject: Presbyterian Church (U.S.A.). Presbytery of the James
Creator: Presbyterian Church (U.S.A.). Presbytery of the James
Collector: Presbyterian Historical Society
Relation: Presbyterian Church (U.S.A.). Synod of Mid-Atlantic
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Presbyteries
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Presbytery of the Heartland
Creator: Presbyterian Church (U.S.A.). Presbytery of the Heartland
Collector: Presbyterian Historical Society
Relation: Presbyterian Church (U.S.A.). Synod of Mid-America
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Presbyteries
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Presbytery of the Cascades
Creator: Presbyterian Church (U.S.A.). Presbytery of the Cascades
Collector: Presbyterian Historical Society
Relation: Presbyterian Church (U.S.A.). Synod of the Pacific
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Presbyteries
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Presbytery of de Cristo
Creator: Presbyterian Church (U.S.A.). Presbytery of de Cristo
Collector: Presbyterian Historical Society
Relation: Presbyterian Church (U.S.A.). Synod of the Southwest
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Presbyteries
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Presbytery of Yukon - History
Creator: Presbyterian Church (U.S.A.). Presbytery of Yukon - History
Collector: Presbyterian Historical Society
Relation: Presbyterian Church (U.S.A.). Synod of Alaska/Northwest
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Presbyteries
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Presbytery of Yukon
Creator: Presbyterian Church (U.S.A.). Presbytery of Yukon
Collector: Presbyterian Historical Society
Relation: Presbyterian Church (U.S.A.). Synod of Alaska/Northwest
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Presbyteries
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Presbytery of Yellowstone
Creator: Presbyterian Church (U.S.A.). Presbytery of Yellowstone
Collector: Presbyterian Historical Society
Relation: Presbyterian Church (U.S.A.). Synod of the Rocky Mountains
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Presbyteries
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Presbytery of Wyoming
Creator: Presbyterian Church (U.S.A.). Presbytery of Wyoming
Collector: Presbyterian Historical Society
Relation: Presbyterian Church (U.S.A.). Synod of the Rocky Mountains
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Presbyteries
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Presbytery of Winnebago
Creator: Presbyterian Church (U.S.A.). Presbytery of Winnebago
Collector: Presbyterian Historical Society
Relation: Presbyterian Church (U.S.A.). Synod of Lakes and Prairies
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Presbyteries
Organization: Presbyterian Historical Society
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Videos: 2 Videos Captured
Subject: Presbyterian Church (U.S.A.). Presbytery of Whitewater Valley
Creator: Presbyterian Church (U.S.A.). Presbytery of Whitewater Valley
Collector: Presbyterian Historical Society
Relation: Presbyterian Church (U.S.A.). Synod of Lincoln Trails
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Presbyteries
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Presbytery of Western Reserve
Creator: Presbyterian Church (U.S.A.). Presbytery of Western Reserve
Collector: Presbyterian Historical Society
Relation: Presbyterian Church (U.S.A.). Synod of the Covenant
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Presbyteries
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Presbytery of Western North Carolina
Creator: Presbyterian Church (U.S.A.). Presbytery of Western North Carolina
Collector: Presbyterian Historical Society
Relation: Presbyterian Church (U.S.A.). Synod of Mid-Atlantic
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Presbyteries
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Presbytery of Western New York
Creator: Presbyterian Church (U.S.A.). Presbytery of Western New York
Collector: Presbyterian Historical Society
Relation: Presbyterian Church (U.S.A.). Synod of the Northeast
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Presbyteries
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Presbytery of Western Kentucky
Creator: Presbyterian Church (U.S.A.). Presbytery of Western Kentucky
Collector: Presbyterian Historical Society
Relation: Presbyterian Church (U.S.A.). Synod of Living Waters
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Presbyteries
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Presbytery of Western Colorado
Creator: Presbyterian Church (U.S.A.). Presbytery of Western Colorado
Collector: Presbyterian Historical Society
Relation: Presbyterian Church (U.S.A.). Synod of the Rocky Mountains
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Presbyteries
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Presbytery of West Virginia
Creator: Presbyterian Church (U.S.A.). Presbytery of West Virginia
Collector: Presbyterian Historical Society
Relation: Presbyterian Church (U.S.A.). Synod of the Trinity
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Presbyteries
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Presbytery of West Jersey
Creator: Presbyterian Church (U.S.A.). Presbytery of West Jersey
Collector: Presbyterian Historical Society
Relation: Presbyterian Church (U.S.A.). Synod of the Northeast
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Presbyteries
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Presbytery of Washington
Creator: Presbyterian Church (U.S.A.). Presbytery of Washington
Collector: Presbyterian Historical Society
Relation: Presbyterian Church (U.S.A.). Synod of the Trinity
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Presbyteries
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Presbytery of Wabash Valley
Creator: Presbyterian Church (U.S.A.). Presbytery of Wabash Valley
Collector: Presbyterian Historical Society
Relation: Presbyterian Church (U.S.A.). Synod of Lincoln Trails
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Presbyteries
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Presbytery of Utica
Creator: Presbyterian Church (U.S.A.). Presbytery of Utica
Collector: Presbyterian Historical Society
Relation: Presbyterian Church (U.S.A.). Synod of the Northeast
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Presbyteries
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Presbytery of Utah
Creator: Presbyterian Church (U.S.A.). Presbytery of Utah
Collector: Presbyterian Historical Society
Relation: Presbyterian Church (U.S.A.). Synod of the Rocky Mountains
Rights: Rights assessment is your responsibility.
Collection: Presbyterian Church (U.S.A.) Presbyteries
Organization: Presbyterian Historical Society
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Subject: Presbyterian Church (U.S.A.). Presbytery of Tropical Florida
Creator: Presbyterian Church (U.S.A.). Presbytery of Tropical Florida
Collector: Presbyterian Historical Society
Relation: Presbyterian Church (U.S.A.). Synod of South Atlantic
Rights: Rights assessment is your responsibility.
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